Synopsis:

A working day comes to an end, people rush to the tram. An autumn day in the outskirts of Vienna. The rhythm of traffic and the many voices that dominate the urban space. Nothing unusual. Or is it? A table tennis game without players. A flautist in a dark underpass, fighting against the traffic noise. City dwellers dance through the room. A trumpet appears from the bushes in a park and a saxophone approaches the unknown observer. Distant sounds of a recorder. The young people answer “Allahu Akbar” (“God is great”). Images freeze, the music demands our full attention. The city noises disappear, the sound space is opened up. Musicians come closer and condense the soundscape around us. Transforming sounds, people and animals become instruments, instruments become park residents. Irritating, a dream? But then the image takes over and assures us that everything was just an illusion. A market in the morning, the stalls are opening, there is a lot of activity. And yet, suddenly castanets!? They give us an idea that shared reality is a thing...


Biografy Melanie Hollaus (director):

 

Melanie Hollaus was born in 1980 in Austria. After acting school graduate she worked on performance art, short experimental videos and multi-channel-videos. Since 2008 she focused her work on documentary film and videos for exhibitions. She is a writer, director, cinematographer and editor.

 

Filmografy Melanie Hollaus:

 

Feature Films:

4 MINUS 1, 2021, 71 Minutes

- Premiere: 31st International Film Festival Innsbruck (AUT Mai 2022)

MS Valentina, 2019, 80 Minutes

- 12th Beldocs International Documentary Film Festival (SRB 2019),

- 29th International Filmfestival Innsbruck – competition (AUT 2019),

- 32nd Festival der neue Heimatfilm – competition (AUT 2019)

- East Silver Market 2019 (CZE)

- 12th This Human World Film Festival - competition (AUT 2019)

RISSE, 2019, 74 Minutes

- 33rd Bolzano Film Festival Bozen (ITA 2019)

- 28th International Film Festival Innsbruck (AUT 2019)

- 32nd Festival der Neue Heimatfilm (AUT 2019)

Schlachthofblock, 2018, 70 Minutes,

- 27th International Film Festival Innsbruck (AUT 2019)

Stalingrad – Stories of an Innsbruck settlement, 2015, 60 Minutes

- Architektur.Film.Sommer in AzW Wien (AUT 2017)

- Cinemanext (AUT 2017)

- 25. International Film Festival Innsbruck (AUT 2016)

- 29. Festival der Neue Heimatfilm Freistadt (AUT 2016)

Images of metamorphosis, 2015, 70 Minutes

hernalser - the rock thinks murders loves, 2014, 70 Minutes

- 10th Arbeiterfilmfesitval Istanbul (TUR 2014)

 

Short Film/ Medium Length – Selection:

Protest!, 2023, 15 Minutes

- Graz Museum exhibition movie

Abyss, 2023, 6 Minutes

Solitude in space, 2023, 4 Minutes

Shapeshifter, 2023, 11 Minutes

Ruinen, 2023, 39 Minutes

Aufbruch zum Planeten Globokar, 2021, 12 Minutes

- on behalf of the Elbphilharmonie Hamburg

ZEN, 2020, 8 Minutes

- on behalf of the Austrian Cultural Forum NYC

VERBAUT, 2018, 39 Minutes

- Architekturzentrum Wien (AUT 2018)

Bocksiedlung - eine filmische Spurensuche, 2012, 44 Minutes

- 22nd International Film Festival Innsbruck (AUT 2013)

- 24. Festival der neue Heimatfilm Freistadt (AUT 2013)

- 23. Weltfilmtage Thusis (CHE 2013) u.a.

mirror_grid.passage, 2013, 20 seconds

- winner film „20 seconds for art“

New Kaisertal City, 2008, 34 Minutes

- nominale Silver Eye Award Tschechien (CZE 2009)

- 23th Bolzano Film Festival Bozen (ITA 2009)

- Kino Otok 05 Film Festival Slovenia (SLO 2009)

- Filmfest Prag (CZE 2010)

Duration: 24 Minutes 24 Seconds

Genres: Documentary, Experimental, Music, Performance, City Soundscapes

Format: RED, DCI scope, 4K

Screening Format: DCP, ProRes 422 or other digital formats

Sound: 5.1

 

Credits:

MOVIE

Melanie Hollaus - director & cut

Christoph Lammerhuber - camera

Joseph Nikolussi – sound

MUSICAL EXCERPTS

Nik Hummer - overtourism rev a (2020)

Daniel Riegler - Observer l'observateur (2022)

Michael Tiefenbacher - Agrajag (2022)

Dominik Fuss - Solo (2022)

Julius Eastman - Femenine (1974)

Carola Bauckholt – Doppelbelichtung (2016)

André Jolivet – Aux funérailles du chef – pour obtenir la protection de son âme. (from 5 Incantations pour flûte seul, 1936)

Philipp Kienberger - concrete (2022)

SOUND DESIGN

Daniel Riegler - editing

Werner Angerer - mix & mastering

STUDIO DAN & GUESTS (on and off screen)

Sophia Goidinger-Koch, Gunde Jäch-Micko, Marianna Oczkowska, Jacobo Hernández – violin

Martina Bischof, Flora Geißelbrecht – viola

Maiken Beer, Cornelia Burghardt – cello

Philipp Kienberger, Manu Mayr – double bass

Thomas Frey – flute

Christine Gnigler – recorder

Clemens Salesny, Florian Fennes, Jacob Gnigler – saxophone

Theresa Dinkhauser – clarinet

Daniel Riegler, Phil Yaeger – trombone

Dominik Fuss, Franz Hautzinger, Spiros Laskaridis – trumpet

Michael Tiefenbacher – Fender Rhodes

Hubert Bründlmayer, Raphael Meinhart – drums, percussion

Margit Schoberleitner – timpani, cymbals

Friederike von Krosigk – castanets

Martin Siewert – guitar electronics

Chiara Aprea, Alberto Cissello, Lena Schattenberg - dance

Eva-Maria Schaller - choreography, dance

Werner Angerer, Joachim Zach - live sound

PRODUCTION (on site)

Alexander Forstner

Julian Klusacek

Marco Rainer

Verena Landl

Moni Mayr

PRODUCTION (movie)

Studio Dan - Verein für Neue Musik

Sidonie Forstreiter - funding

Daniel Riegler - executive producer

SUPPORTED BY

MA7, BMKOES, SKE/AUME